by Duncan Macmillan
seen by live streaming from the Old Vic on 3 July 2020
(apologies for not posting this sooner)
In line with government requirements in response to the coronavirus most theatres in London are still closed. The Old Vic has devised a means of bringing performances to a wider public by choosing short plays with minimal casts and selling 'tickets' for the right to watch a performance at home. The performance is filmed on the Old Vic's stage, with no audience in the auditorium and a skeleton film crew which maintains social distancing.
The stage was virtually bare, with just two small platforms,
one for each actor to sit or lie on at certain points; they scrupulously kept
their distance from one another, but for much of the time there was a separate
camera trained on each of them, mostly in close-up and so resembling a Zoom
video. It was very clever technically speaking.
As for the play itself, it is an intense look at a young
couple, well-meaning, aware of the greater problems in the world (climate
change and economic damage), wondering if they should have a child together.
The prospect brings up all sorts of doubts and tensions, and things go horribly
awry, though there is a strong hint that they have an abiding future together.
The performances revealed the style of both actors, I think, Foy seeming quite
self-possessed but banking down great gusts of emotion, Smith good at a certain
type of masculine awkwardness and insecurity. I found parts of it far too
wordy, especially when the woman was establishing her eco credentials, and I am
quite relieved that I did not pay for an expensive ticket to see it last year, while at the same
time being glad to see it here at home.
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