Showing posts with label Anna Calder-Marshall. Show all posts
Showing posts with label Anna Calder-Marshall. Show all posts

Friday, 13 March 2020

Uncle Vanya

by Anton Chekhov (in a version by Conor McPherson)

seen at the Harold Pinter Theatre on 11 March 2020

Ian Rickson directs Toby Jones as Vanya, Richard Armitage as Doctor Astrov, Ciarán Hinds as the Professor, Aimee Lou Wood as Sonya, Anna Calder-Marshall as Nana, Rosalind Eleazer as Helena, Peter Wight as 'Waffles' Telegin and Dearbhla Molloy as Grandmaman in  production beautifully designed by Rae Smith - a ramshackle cavernous room taking up the entire stage space of the theatre, with the unadorned back wall and a massive supporting girder - and even safety notices on two of the doors - somehow not looking out of place in the dustladen gloom.

Though not exactly dressed in the late nineteenth century - Sonya and Grandmaman both weaer capacious pantaloons - the sense of a time at a loose end, with enervated overly intellectual but woefully underemployed men and frustrated women is marvellously rendered by the whole cast, from the Professor's overweening pomposity and self-regard, through Astrov's idealism battling with his despair, to Sonya's crushed hopefulness and Helena's bored and exasperated disillusionment with the choices she has made. Because every character is strongly delineated, it is impossible to miss the fact that none of the m really understands any of the others, sidetracked as each is by his or her own obsessions and frustrations. All this can lead to delightful sparks of social comedy as well as to heartbreaking intimations of loss, ennui and future blight.

Friday, 12 June 2015

Temple

by Steve Waters

seen at the Donmar Warehouse on 11 June 2015

The play, directed by Howard Davies and designed by Tim Hatley, features Simon Russell Beale as the Dean, Rebecca Humphries as the PA, Paul Higgins as the Canon Chancellor, Anna Calder-Marshall as the Virger, Malcolm Sinclair as the Bishop of London, and Shereen Martin as the City lawyer. It is set in the Chapter House of St Paul's Cathedral on the morning after the Chapter decided to support the City of London's application for an injunction to evict the Occupy movement from St Paul's Churchyard in late October 2011, which led to the immediate resignation of the Canon Chancellor (and the eventual resignation of the Dean).

The room in the Chapter House looks like a comfortable board room with gracious proportions and large sash windows. Outside is the imposing cathedral, but the sounds wafting through are those of the Occupy encampment, with the remorseless tolling of the church bells lending urgency to the general sense of crisis, as the Dean prepares to re-open the church after a fortnight's controversial closure, and the Canon Chancellor's public announcement of his resignation through Twitter appears to betray the collegiate sense of responsibility on which the Dean relies.