Showing posts with label Freddie Meredith. Show all posts
Showing posts with label Freddie Meredith. Show all posts

Wednesday, 22 May 2019

Three Sisters

by Anton Chekhov

seen at the Almeida Theatre on 16 May 2019

Rebecca Frecknall directs atsy Ferran as Olga, Pearl Chanda as Masha and Ria Zmitrowicz as Irina (the three sisters) with Freddie Meredith as their brother Andrey, Lois Chimimba as his wife Natasha, Peter McDonald as Vershinin and Elliott Levy as Masha's husband Kulygin in Cordelia Lynn's adaptation of Chekhov's play.

The provincial setting in which the children of an army officer, adrift without occupation or responsibility, fixated on returning to Moscow as the solution to their anxious unease, attempt to give meaning to their lives, is often presented in a nostalgic haze of imagined Russian-ness. Here, the setting is more abstract, the stage a raised square set at an angle in the Almeida's curved acting space, with virtually no props apart from chairs, with a stairway against the bare brick wall leading up to a notiona study where Andrey often sits brooding, perhaps aware of what is happening below him, perhaps just sulking or bemoaning the trajectory of his life. The sisters meanwhile attempt to cope - Olga, older and unmarried, gradually engulfed in teaching, Masha, married to the pedantic schoolmaster but disillusioned after her initial infatuation with him and desperate to revive excitement with a lover, and Irina, optimistic about work as an ennobling act but appalled by the banal realities of the jobs she tries.

Saturday, 6 June 2015

Andromache

by Jean Racine translated by Edward Kemp

seen at RADA (GBS theatre) on 5 June 2015

This production, directed by Edward Kemp and designed by Lucy Alexander, features students in their third (final) year of RADA's degree in acting. The cast:

Orestes - Freddie Meredith
Pylades - Will Apicella
Pyrrhus - Joe Idris-Roberts
Phoenix - Peter Mulligan
Andromache - Rosie Sheehy
Hermione - Stefanie Martini
Cleone - Kathryn Wilder
Cephisa - Taha Haq 

The GBS theatre is in the basement of RADA's main building, a space which an be configured in many ways. For this production, the audience were seated in long rows on either side of a narrow raked 'marble' passageway emerging from a sandy floor at one end and leading to a throne at the other raised end. (The throne was later removed; steps down from this end led to a sanctuary.) Beyond the raised end, the exposed brickk wall had reliefs of two ancient warriors, presumably of Achilles (the father of Pyrrhus) killing Hector (the husband of Andromache). High above, amidst the lighting battens, a similar strip of 'marble' was suspended as like a ceiling, or even a reflection of the floor.