The Way of the World

by William Congreve

seen at the Donmar Warehouse on 19 April 2018

James Macdonald directs Geoffrey Streatfeild as Mirabell, Tom Mison as Fainall, Caroline Martin as Mrs Fainall, Justine Mitchell as Millamant and Haydn Gwynne as Lady Wishfort in this celebrated comedy from 1700, presented in its historical time with flowing wigs and lacy cuffs.

The language is polished and often dazzling, the social comment astute, the plot a vehicle for observing both cynical and heartfelt attempts to navigate the difficulties of relations between men and women. While urban and sub-aristocratic could be and often was portrayed as essentially the unscrupulous use of masculine power and influence to gain wealth through marriage, in this play Congreve contrasts the moral characters of the two friends Mirabell and Fainall, each of whom stands to gain from the woman (Millamant and Mrs Fainall respectively) he is connected with. Where Mirabell and Millamant are shown to be genuine in their affections, all the warmth has drained from the Fainall marriage and the husband is plotting merely for financial advantage, and in this production is shown up as a distinctly unpleasant person.

The Plough and the Stars

by Sean O'Casey

seen at the National Theatre (Lyttleton) on 25 August 2016

Jeremy Herrin and Howard Davies have co-directed this revival of Sean O'Casey's play set in 1915 and 1916, marking the centenary of the Easter Rising in Dublin. The set, designed by Vicki Mortimer, shows us a crumbling tenement in Dublin - first the Clitheroe's flat, then a nearby pub, then the outside of the tenement, and finally the attic flat. A clever use of the revolve reveals the general seediness of the area, and, later, the dangers arising from the street fighting of the uprising.