Showing posts with label King & Country. Show all posts
Showing posts with label King & Country. Show all posts

Thursday, 21 January 2016

Henry V

by William Shakespeare

seen at the Barbican on 14 January 2016 (evening) as part four of 'King & Country'

This new production from the RSC is directed by Gregory Doran and designed by Stephen Brimson Lewis, with music by Paul Englishby. It features Alex Hassell as King Henry and Oliver Ford Davies as the Chorus, with Sarah Parks as Mistress Quickly, Joshua Richards as Bardolph and Fluellen, and Martin Bassindale as the Boy. As part of the commemoration of the 400th anniversary of Shakespeare's death, it is being presented with Richard II and the two parts of Henry IV as a sequence entitled 'King & Country'.

The programme note helpfully suggests that this is not really a 'pro-war' play, nor an 'anti-war' play (it has been seen as both in response to contemporary crises) but rather a 'going-to-war' play. This production was neither gung-ho nor overtly critical of war, and the king was neither thoughtlessly militaristic nor unwilling to fight.

Tuesday, 19 January 2016

Henry IV Part Two

by William Shakespeare

seen at the Barbican on 14 January 2016 (afternoon) as part three of 'King & Country'

This revival of the RSC's 2014 production is directed by Gregory Doran and designed by Stephen Brimson Lewis with music by Paul Englishby. It features Jasper Britton as King Henry IV, Alex Hassell as Prince Hal, Anthony Sher as Falstaff, Sam Marks as Ned Poins, and Oliver Ford Davies as Justice Shallow. As part of the commemoration of the 400th anniversary of Shakespeare's death, it is being presented with Richard II, Henry IV Part One and Henry V as a sequence entitled 'King & Country'.

Considering that the play has a very similar structural pattern to that of Henry IV Part One it is striking how different the tone is. The prolonged 'Eastsheap' scene with Doll Tearsheet (Emma King) and Mistress Quickly (Sarah Parks, played with a distractingly broad accent) seems more hectic, and Falstaff here even more selfish, while the king is far weaker physically, and the scenes between Falstaff and Justice Shallow, the erstwhile companion of his youth, are tinged with a melancholy regret for the passage of time (these have no direct parallel in the earlier play). In the meantime Prince Hal is brought to realise that slumming it with the likes of Ned Poins is by no means a meeting of equals, while his relationship with his father barely survives a deathbed misunderstanding. 

Monday, 18 January 2016

Henry IV Part One

by William Shakespeare

seen at the Barbican on 13 January 2016 as part two of 'King & Country'

This revival of the RSC's 2014 production is directed by Gregory Doran and designed by Stephen Brimson Lewis with music by Paul Englishby. It features Jasper Britton as King Henry IV, Alex Hassell as Prince Hal, Anthony Sher as Falstaff, Sam Marks as Ned Poins, Sean Chapman as the Duke of Northumberland and Matthew Needham as Hotspur. As part of the commemoration of the 400th anniversary of Shakespeare's death, it is being presented with Richard II, Henry IV Part Two and Henry V as a sequence entitled 'King & Country'.

In this production, the play begins as if exactly where Richard II left off - Henry's protestation of innocence and vow to go to the Holy Land at the end of the former play leading quite naturally into the opening speech of this play. Here, the continuity is further emphasised by the ghostly figure of the murdered king who turns away and vanishes as the play begins.