Showing posts with label Matthew Lutton. Show all posts
Showing posts with label Matthew Lutton. Show all posts

Friday, 1 November 2019

Solaris

by David Greig from Stanislav Lem's novel

seen at the Lyric Theatre Hammersmith on 31 October 2019

Matthew Lutton directs Polly Frame as Dr Kris Kelvin, Keegan Joyce as Ray, Jade Ogugua as Dr Sartorius, Fode Simbo as Dr Snow and Hugo Weaving (on video) as Professor Gibarian in this new adaptation of the 1961 science fiction novel, which has been twice adapted for the cinema, in 1972 (Tarkovsky directing) and in 2002 (Soderberg directing, George Clooney starring). Actually, I also saw an intense and strange theatrical version presented at Nottingham University in 1980.

The premise of the story is that the members of a scientific expedition orbiting the planet Solaris have strange 'visitors', taking the form of people from their past lives, which are presumed to be the attempt of the vast planetary ocean to contact the humans. The play opens with the arrival of Dr Kelvin on the station; she has arrived after the death of her mentor Professor Gibarian, who has left her some tapes; only Drs Snow and Sartorius are left. Kris Kelvin's 'visitor' is a past lover, Ray, an attractive oceanographer whom she dated in her student days but later lost touch with. (In the book and films, Dr Kelvin is male, and his visitor female.)

Sunday, 25 February 2018

Picnic at Hanging Rock

adapted by Tom Wright

seen at the Barbican Theatre on 21 February 2018

Matthew Lutton directs five actors - Harriet Gordon-Anderson, Arielle Gray, Amber McMahon, Elizabeth Nabben and Nikki Shiels - in a new stage adaptation of Joan Lindsay's 1967 novel, with set and costume designs by Zoë Atkinson, lighting by Paul Jackson and sound composed by Ash Gibson Greig and designed by J. David Franzke. The production comes from Victoria's Malthouse Theatre and Western Australia's Black Swan Theatre Company.

The 1975 film directed by Peter Weir sets a standard of dreamy sensuality and atmospheric mystery which would be hard to emulate on stage. Tom Wright's adaptation approaches the subject in a completely different manner which brings its own fascinating rewards.