Showing posts with label Julian Ovenden. Show all posts
Showing posts with label Julian Ovenden. Show all posts

Wednesday, 20 March 2019

All About Eve

based on the film by Joseph L Mankiewicz

seen at the Noel Coward Theatre on 18 March 2019

Ivo van Hove continues his project of adapting classic films for the stage, with Gillian Anderson as Margo Channing and Lily James as Eve Harrington taking the roles originally played by Bette Davis and Anne Baxter. His partner and collaborator Jan Versverveld is the set and lighting designer, providing the by-now familiar versatile and at the same time slightly alienating space on stage to replace the fluidity of film sets.

Eve Harrington, an apparently naive young woman, is besotted with the stage star Margo Channing, and graduates from hanging about the stage door to being Margo's indispensable personal assistant, masking a steely ambition to replace her idol. The frisson of the piece is to watch a mature star exert her social dominance in the theatre world while belatedly becoming aware of the threat; and to realise for ourselves what lies behind Eve's surface modesty and endless willingness to please. In this production Gillian Anderson portrays both Margo's brazenness and her vulnerability with consummate skill, though Bette Davis is of course a difficult act to follow even in a different medium. Meanwhile Lily James maintains an almost perfect mask of innocence until a crucial late scene in which her daggers are drawn in a nasty piece of blackmail.

Thursday, 11 May 2017

The Treatment

by Martin Crimp

seen at the Almeida Theatre on 10 May 2017

Lyndsey Turner directs this revival of Martin Crimp's 1993 play, with Aisling Loftus as Anne, Indira Varma as Jennifer and Julian Ovenden as Andrew, supported by Matthew Needham as Simon, Ellora Torchia as Nicky, Ian Gelder as Clifford and Gary Beadle as John and a couple of dozen mostly silent extras. The sets are designed by Giles Cad;e and lit by Neil Austin.

This is a really disturbing play, not least because it begins in what could be just a probing but essentially light-hearted satirical tone as two 'facilitators', husband and wife team Jennifer and Andrew, listen to Anne's strange tale of being tied up and having tape placed over her mouth. They immediately perceive this as the prelude for sexual assault or abuse, ignoring Anne's insistence that there was no abuse, not even any physical conflict or contact. They are already envisaging a fairly conventional sexual thriller, while Anne is soon uncomfortably aware that she is out of her depth.