Showing posts with label Sheila Reid. Show all posts
Showing posts with label Sheila Reid. Show all posts

Wednesday, 20 March 2019

All About Eve

based on the film by Joseph L Mankiewicz

seen at the Noel Coward Theatre on 18 March 2019

Ivo van Hove continues his project of adapting classic films for the stage, with Gillian Anderson as Margo Channing and Lily James as Eve Harrington taking the roles originally played by Bette Davis and Anne Baxter. His partner and collaborator Jan Versverveld is the set and lighting designer, providing the by-now familiar versatile and at the same time slightly alienating space on stage to replace the fluidity of film sets.

Eve Harrington, an apparently naive young woman, is besotted with the stage star Margo Channing, and graduates from hanging about the stage door to being Margo's indispensable personal assistant, masking a steely ambition to replace her idol. The frisson of the piece is to watch a mature star exert her social dominance in the theatre world while belatedly becoming aware of the threat; and to realise for ourselves what lies behind Eve's surface modesty and endless willingness to please. In this production Gillian Anderson portrays both Margo's brazenness and her vulnerability with consummate skill, though Bette Davis is of course a difficult act to follow even in a different medium. Meanwhile Lily James maintains an almost perfect mask of innocence until a crucial late scene in which her daggers are drawn in a nasty piece of blackmail.

Monday, 28 March 2016

Pericles

by William Shakespeare (and George Wilkins)

seen at the Sam Wanamaker Playhouse on 24 March 2016

Dominic Dromgoole directs James Garnon (Pericles), Jessica Baglow (Marina), Dorothea Myer-Bennett (Thaisa and Dionyza), Simon Armstrong (Antiochus and Simonides), Fergal McElherron (Helicanus and the Pander), Dennis Herdman (Bolt), Kirsty Woodward (Lychorida and the Bawd), Steffan Donnelly (Lysimachus) and Shiela Reid (Gower) as part of a season of Shakespeare's four 'romance' plays.

Pericles, the only play commonly attributed to Shakespeare but not included in the First Folio edition of his plays, is actually a collaboration, and the text is thought to be woefully defective in certain places. However, despite its episodic and even disjointed plot, and its reliance on fantastical coincidences and unlikely turns of events, it can be a very satisfactory theatrical experience.